Ends on July 30, 2018

$10.00 USD, $30.00 USD

Update: Lisa Fay Coutley's queues for chapbooks and full-length manuscripts are now full. She is still accepting individual poems and folios. If you would like to submit a chapbook or full-length manuscript, please consider sending your work to Marc McKee. 

During the month of July, Black Lawrence Press authors Lisa Fay Coutley, Amelia Martens, and Marc McKee are on board to critique poetry manuscripts; and they are accepting everything from individual poems to full-length manuscripts. The fees and parameters for each of these categories are as follows:

  • Individual Poems, up to 2 pages in length, $10
  • Folios, up to 7 pages in length, not to include more than 5 poems, $30
  • Chapbooks, 16-40 pages in length, $150
  • Full-length collections, 45-80 pages in length $250

All manuscripts should be formatted in 12-point font.

The deadline to submit work for this consultation program is July 31. The consultants will complete their work and respond to all participants by August 31.

Space in this program is limited, so please be sure to submit your work soon! 


Lisa's Statement of Purpose

In an ideal workshop, an editor would meet a poem or collection nowhere but on its own terms, though if we’re honest with ourselves we must admit that we each bring our own aesthetics and experiences into any reading. When I read your work, I will attempt not to mold the manuscript to my aesthetic but to react with a thoughtful and well-articulated gut response, giving an exegesis of the rhetoric, language, syntax, form and content, and the tensions and patterns in the body of work.

Upon an initial read, I will respond first by typing how I experience the manuscript (noting its obsessions, form, style, technique, as well as its images, line breaks, sonic qualities, etc.) and then compose a more careful critique with subsequent readings. I will read your poems as individual entities while also noting commonalities in form and subject among the whole. I will give a fair amount of feedback, but if you’d prefer that I give more pointed comments, I can do that as well. 

It’s not always the most trained reader who gives the best feedback but the one who learns to listen to the poems and sit with the collection. Outside eyes often notice obsessions we aren’t even aware of—themes and images we can’t seem to stop circling—and I will do my best to sit with your poems and listen to them—to understand their gestures and rhetoric, to find their sturdiest and softest spots, to learn them on their own terms, and to consider how they build a larger rhetorical structure.

All of that I say as an editor. As a reader, my aesthetic calls me toward poems that are willing to make the best use of their form in order to enact their content. I am intrigued by lyrical, raw poems that demonstrate a willingness to observe subject matter without flinching. I am likely to nudge your poems in a direction in which they do their best to be their bravest yet most vulnerable selves.

I look forward to reading to your work. 

All Best,

Lisa Fay